Directed by Anthony Waller and starring Elizabeth Hurley, the horror film Piper has been given a November release date

Two years have gone by since we learned that Elizabeth Hurley (Austin Powers: International Man of Mystery) had signed on to star in Piper, a new horror film from director Anthony Waller. More than a year has passed since the film had its world premiere at FrightFest… but now it’s ready for a wider release. Digital Media, the digital film distribution division of Byron Allen’s Allen Media Group, has picked up Piper distribution rights and will be making it available to rent/own on all North American digital HD internet, cable, and satellite platforms, as well as on DVD, as of November 12th.

Back in 1995, director Waller made an impressive breakthrough with the thriller Mute Witness… then quickly squandered the good will he had earned with that movie by following it up with An American Werewolf in Paris. Waller has made a couple movies since the Paris debacle – the 2000 Bill Pullman thriller The Guilty, the 2009 sci-fi horror film 9 Miles Down – and here’s hoping that Piper will earn him some positive attention again.

Scripted by Waller from a story by Duncan Kennedy, this supernatural thriller is said to put Hurley against “an evil, child-stealing folklore legend” in “a darker and contemporary twist on the story of the Pied Piper of Hamelin, whose vindictive restless spirit seeks out those who have gotten away with a crime, and punishes them by taking away their children”. The film has the following synopsis: Émigré Liz (Hurley) moves to a quaint German town with her daughter Amy but ends up in the Piper’s crosshairs when it is revealed she’s hiding a dark secret from her past that puts Amy’s life in jeopardy. The girl\s only hope for salvation comes when she falls for a young and mysterious street magician, Luca. Can he save her from the Piper’s clutches?

Hurley is joined in the cast by Mia Jenkins (Hanna), Jack Stewart (Float), Ryan Webber (The Funhouse Massacre), Robert Daws (The Man Who Fell to Earth), Ieva Aleksandrova-Eklone (Out), Arben Bajraktaraj (Taken), Alma Rix (Dumar), Gundars Abolins (What Silent Gerda Knows), Jurijs Djakonovs (Crime Solving for Beginners), Elizabete Liepa (Christmas in the Jungle), Madlena Valdberga (In the Mirror), newcomers Evija Koltone and Dominik Gabriel Roseti, and Waller himself.

This is the second Pied Piper of Hamelin horror movie we’ve gotten this year, as a film called The Piper, starring Julian Sands, was released back in March.

Are you looking forward to watching the Elizabeth Hurley and Anthony Waller film Piper later this month? Let us know by leaving a comment below.

One of the most notorious unsolved cases of the 90s will be reexamined in the new Netflix documentary from Joe Berlinger.

While shows like the American Crime Story series and Monsters: The Lyle and Erik Menendez Story continue to grip audiences as tightly as when the headlines first broke, Netflix has now released the trailer for one of the most notoriously unsolved mysteries of the 90s. Cold Case: Who Killed JonBenét Ramsey? will attempt to analyze this media sensation as no one has yet been brought to justice over this crime. The trailer has just been released and the three-part documentary is set to hit the streamer on November 25.

The description reads,
“On December 26, 1996, John and Patsy Ramsey woke up the morning after a loving family Christmas to discover their youngest child, six-year-old JonBenét, was missing, a chilling ransom note left downstairs. Later that day, John Ramsey discovered his daughter’s body in the basement, revealing the shocking truth that JonBenét had not been kidnapped, but was instead sexually assaulted and brutally murdered in their own home. The Boulder, Colorado police, who had little practical experience in homicide investigations, quickly cast suspicion on JonBenét’s family as the most likely suspects, fanning the flames of media scrutiny and largely one-sided reporting, turning the case into a national obsession. Twenty-eight years later, that obsession — and finger-pointing — hasn’t gone away, and the murder of JonBenét Ramsey remains unsolved. From Emmy-winning and Academy Award nominated director Joe Berlinger, this three-part docuseries investigates the mishandling of the case by law enforcement and the media.”

Academy Award–nominated director Joe Berlinger of The Ted Bundy Tapes helms the limited series. The executive producers on the project include Joe Berlinger, Craig D’Entrone, Jon Kamen and Jen Isaacson. Tim Young is on board as a co-producer.

Melissa McCarthy and Clive Owen are also slated to star in a limited episode drama about the murder of JonBenét Ramsey. The series is currently sporting the unofficial title, JonBenét Ramsey and it will be streaming on Paramount+. JonBenét Ramsey comes from Yellowstone producers MTV Entertainment Studios and 101 Studios, as well as showrunner Richard LaGravenese, known for Behind the Candelabra. LaGravense and the series’ creators Harrison Query and Tommy Wallach are also writing. McCarthy and Owen will play JonBenét’s parents, Patsy and John Ramsey.

The show’s description says the series will follow the family “as they go through the painful loss of a child while facing intense public scrutiny caused by a media frenzy that caused this case to captivate an entire nation. At the heart of the series, it is the story of Patsy and John Ramsey, exploring the unbreakable partnership of these two complex people — as husband and wife, as mother and father — who had committed themselves and their children to building the narrative of a perfect, privileged life only to have it destroyed one Christmas night in 1996.”

About the Author

E.J. is a News Editor at JoBlo, as well as a Video Editor, Writer, and Narrator for some of the movie retrospectives on our JoBlo Originals YouTube channel, including Reel Action, Revisited and some of the Top 10 lists. He is a graduate of the film program at Missouri Western State University with concentrations in performance, writing, editing and directing.

AMC has released a teaser trailer for The Walking Dead: Daryl Dixon season 3, which will premiere sometime in 2025

The Walking Dead spin-off The Walking Dead: Daryl Dixon (you can read our review of the first season HERE) just wrapped up its second season on AMC this past weekend, but the third show has already been filming for a while – and along with the season 2 finale comes the unveiling of a teaser trailer for season 3. You can check it out in the embed above. While a specific premiere date has not yet been announced, we do know that The Walking Dead: Daryl Dixon season 3 will start airing sometime in 2025.

The first season of The Walking Dead: Daryl Dixon had the following synopsis: Daryl (Norman Reedus) washes ashore in France and struggles to piece together how he got there and why. The series tracks his journey across a broken but resilient France as he hopes to find a way back home. As he makes the journey, though, the connections he forms along the way complicate his ultimate plan.

The six episodes of season 2 pick up where The Walking Dead: Daryl Dixon left off, following fan-favorite characters Daryl Dixon (Reedus) and Carol Peletier (Melissa McBride). They both confront old demons while she fights to find her friend and he struggles with his decision to stay in France, causing tension at the Nest. Additionally, Genet (Anne Charrier)’s movement builds momentum, setting Pouvoir on a violent collision course with the Union of Hope in the fight for France’s future.

In addition to Reedus, McBride, and Charrier, the show’s cast includes Clémence Poésy, Louis Puech Scigliuzzi, Laika Blanc Francard, Romain Levi, Eriq Ebouaney, and Manish Dayal. One new addition for season 3 is comedian Stephen Merchant has helped create such TV shows as The Office, Extras, and The Outlaws, wrote and directed the film Fighting with My Family, and had acting roles in the likes of The Office, Extras, Hot Fuzz, Burke and Hare, Hall Pass, Hello Ladies, The Big Bang Theory, Logan, The Girl in the Spider’s Web, Fighting with My Family, Jojo Rabbit, Modern Family, and The Outlaws, among others. 

Will you be watching The Walking Dead: Daryl Dixon season 3? Take a look at the teaser trailer, then let us know by leaving a comment below.

We had a chat with the legendary Liam Neeson about his new film, Absolution, his career in action movies, and The Naked Gun reboot!

I’ve been lucky in my job at JoBlo to interview a lot of the legends I grew up watching on the silver screen, but until recently I never had the chance to chat with one of the all-timers, Liam Neeson. I was a monster fan of his from way back, even before he reinvented his career thanks to the breakout success of Taken. I grew up watching him in movies like Darkman, Rob Roy, Schindler’s List, and many others. 

But, the thing is – when you interview a legend, there’s always that worry that they might let you down. Suffice it to say that was NOT the case with Neeson, who proved to be an affable, friendly, and down-to-earth fellow. I had a very nice conversation with him about his latest movie, Absolution, in which he plays an aging thug trying to atone for past misdeeds. While our internet connection wasn’t the best (status quo in this era of Zoom interviews), Neeson seemed happy to discuss this earthier character, with him explaining the research he did into CTE (Chronic traumatic encephalopathy), which is the affliction his character is suffering from in the movie, which our critic Alex Maidy really enjoyed (read his review HERE).

I also got Neeson to tease his upcoming reboot of The Naked Gun, where he channels Leslie Nielsen as Frank Drebin. His deadpan, and hilarious answer has me convinced that the movie is going to be something special, with him going out of his way to praise his co-stars, Pamela Anderson and Danny Huston.

Absolution is now playing!

Neil Marshall and Charlotte Kirk have teamed up again for the erotic thriller Compulsion, which has just unveiled a first look image

Dog Soldiers and The Descent director Neil Marshall has worked with actress/co-writer Charlotte Kirk on his three most recent films, The Reckoning, The Lair, and Duchess, and they’re continuing their collaboration on the upcoming psychological thriller Compulsion. Deadline reports that Saban Films has secured the domestic distribution rights to the film – and while a release date has not yet been announced, a first look image has been unveiled. You can check that out at the bottom of this article.

With a script written by Marshall, Compulsion is said to be inspired by the old school erotic thrillers of the ’80s and ’90s, like Fatal Attraction, Basic Instinct, and Single White Female. This one centers on the dynamically twisted relationship between two women, as both become embroiled in a series of horrific murders on the island of Malta. Kirk stars in the film alongside Anna-Maria Sieklucka, who starred in the massive hit 365 Days for the Netflix streaming service. Here are some character details: Kirk’s character, Diana, is described as a flamboyant and ruthless thief; Sieklucka’s Evie, as a seemingly innocent young woman with a troubled past and a dark secret.

Also in the cast with Sieklucka and Kirk are Zach McGowan (Dracula Untold), Giulia Gorietti (Suburra), Cinzia Monreale (The Beyond), and Harvey Dean (Sea Dragon).

Deadline notes that the film was produced by Kristyna Sellnerova for Kristyna Sellnerova Ltd, with executive producer Emily Corcoran, in association with Cork Films. Media Finance Capital was behind the production, which has a post deal with M2 Mediapost and benefitted from the Malta film cash rebate incentive.

I have been a fan of Neil Marshall’s work ever since he made his feature debut with Dog Soldiers more than twenty years ago, and I enjoy that movie so much that I will always take a look at the latest Marshall movie. So I will definitely be watching Compulsion when it gets released by Saban Films.

Are you a fan of Neil Marshall, and does Compulsion sound interesting to you? Take a look at the first look image, then let us know by leaving a comment below.

A trailer and a new poster for the apocalyptic musical The End have made their way online ahead of the film’s December release

Almost three years have gone by since Joshua Oppenheimer, the director behind the documentaries The Act of Killing and The Look of Silence, announced that he was teaming up with NEON to make his narrative feature debut with The End, “a golden-age musical about the last human family.” That film went into production last year, with a cast that includes Tilda Swinton (We Need to Talk About Kevin), Michael Shannon (The Shape of Water), George MacKay (1917), Moses Ingram (The Tragedy of Macbeth), Bronagh Gallagher (Pulp Fiction), Tim McInnerny (Notting Hill), Lennie James (The Walking Dead), and Danielle Ryan (The Silencing). Now it’s making the festival rounds, building up to a December theatrical release. The film is scheduled to start playing in New York and Los Angeles on December 6th, with the limited release expanding on December 13th. As those dates are swiftly approaching, a trailer for The End has dropped online and can be seen in the embed above. A new poster has also been unveiled, and that can be found at the bottom of this article.

JoBlo’s own Chris Bumbray had the chance to see The End a couple of months ago, and he was not a fan. You can read his review at THIS LINK. I’m fairly certain this movie won’t be for me, either, but I’m open to giving it a chance at some point.

During an interview with Prospect, Oppenheimer revealed what inspired him to make the movie: “I was researching very wealthy families, and one of them was buying a doomsday bunker that was more of a palace than a bunker. I decided to make a film about a family in a bunker 20 years after the world has ended—and to make it a musical. This family has enriched itself through fossil fuels. It’s now 20 years after the world has ended and they have a son who was born in the bunker. It’s a study in impunity. They tell themselves that this vast tomb is now the pinnacle of civilization, because they are the last family, a Noah’s Ark for a flood that will never subside. The themes grow out of what I explored in The Act of Killing—guilt and denial, the imposition of a narrative by the powerful, the performance of impunity. And remember: Impunity is always performed. It’s not something you can take for granted. You have to assert it with shows of force.” He went on to say the movie is “an exploration of whether we as human beings can come to a place where our guilt is too much to recover from. We are our pasts. And we’re all perpetrators in one way or another.“

The End has the following synopsis: A post-apocalyptic story about a rich family, surviving two decades after the world ended, living in a salt mine converted into a luxurious home. The earth around them has apparently been destroyed, but their 13-year-old son, born in the bunker, has never seen the outside world. There is a maid, with whom the son has his only honest relationship. There is also a doctor, and a butler. Unspoken blame over leaving loved ones behind looms over this family, hollowing out whatever intimacy they once shared. Suddenly, a young girl appears at the entrance of the bunker, the balance of the family is threatened.

Or, here’s an expanded synopsis: A wealthy family survives in a palatial bunker, two decades after the world has ended. There is a mother, father, and their twenty-year-old son – he was born in the bunker and has never seen the outside world. There is a maid, with whom the son has his only honest relationship. There is also a doctor, a butler – and finally a young woman who, having barely survived, manages to find her way in. The film is a musical, and the title is THE END. Before the young woman arrives, the family celebrates their survival as confirmation of their success and righteousness, but unspoken blame over leaving loved ones behind has come between the parents, hollowing out whatever intimacy they once shared. They struggle to repress the guilt they feel for this – as well as a more diffuse regret for contributing to the world’s end. (The Father was an oil tycoon.)

The music is inspired by Broadway’s Golden Age – the unearned optimism of the classic American musical embodies the bunker’s desperate delusions. In THE END, it is an optimism born of fear. They are afraid to face their guilt, and it is this fear, more than the inhospitable conditions outside, that prevents them from leaving. Were they to leave, they’d be confronted by the truth of what they did to the world – and the fate to which they abandoned their families. There will be no Golden Age theatricality to the performances. Instead, the unvarnished realism invites the audience to identify with the characters in this intimate tragedy about guilt, denial, and unfulfilled longing. As in the director’s THE ACT OF KILLING, there is also absurdity and dark humor – and, as the son and young woman fall in love, a fragile hope.

Will you be watching The End? Take a look at the trailer and the new poster, then let us know by leaving a comment below.

After a spicy bidding war, Jennifer Lopez and Anthony Ramos’ Bob the Builder movie is under construction at Amazon MGM Studios.

Si se puede! Amazon MGM Studios is ready to strap on its tool belt after winning a bidding war for Mattel’s animated Bob the Builder movie! While the ink has yet to dry, we hear Amazon beat Dreamworks Animation and others looking to lay the foundation of an ambitious rework of Bob, the beloved general contractor with a passion for construction and learning. The Bob the Builder movie hails from Jennifer Lopez’s production studio, Nuyorican Productions, and ShadowMachine, the animation house behind Guillermo Del Toro’s Pinocchio, Tuca & Bertie, Moral Orel, Robot Chicken, and more.

The project reimagines Bob the Builder with Anthony Ramos (Twisters, Transformers: Rise of the Beasts, In the Heights) in the lead role. Bob’s latest adventure is set in Puerto Rico. The story celebrates the resilience and spirit of Latino culture, and the new setting offers much to Bob’s outreach and influence.

Alex Bulkley and Corey Campodonico of ShadowMachine join Ramos for the high-profile animated project, which Jennifer Lopez, Elaine Goldsmith-Thomas, and Benny Medina of Nuyorican Productions co-produce. The movie boasts a script written by Felipe Vargas (Afterimages, Distant, Vessel), with Kevin McKeon, Ivan Sanchez, and Arturo Thur De Koós of Mattel Films and Natalie Haack Flores of Nuyorican overseeing production.

The story follows Roberto, aka Bob, who picks up his toolbox and ventures to Puerto Rico for a substantial construction gig. While hammering away on his latest project, Bob encounters challenges around the island and gains a new appreciation for the art of fashioning new constructs. Aspects of Bob’s story include highlighting the Caribbean Latin nations, including the people and their inspiring heritage.

Bob the Builder began as an animated 12-season series from 1997 to 2011. The animated show focuses on Bob, a building contractor, and his enthusiasm for creating exciting new places to explore and live. Bob’s machine team joins him on his mission to build impressive constructs. They demonstrate the power of positive thinking, problem-solving, and teamwork. The show also breaks the fourth wall by inviting the audience to become “little builders” alongside Bob and his team. The show features colorful characters, gorgeous and fluid animation, and creativity that nurtures young viewer’s imaginations.

Lopez and Ramos’ Bob the Builder movie could break new ground and attract new fans. Additional cast members have yet to be announced, though I’m sure the project will pull some exciting names.

About the Author

Born and raised in New York, then immigrated to Canada, Steve Seigh has been a JoBlo.com editor, columnist, and critic since 2012. He started with Ink & Pixel, a column celebrating the magic and evolution of animation, before launching the companion YouTube series Animation Movies Revisited. He’s also the host of the Talking Comics Podcast, a personality-driven audio show focusing on comic books, film, music, and more. You’ll rarely catch him without headphones on his head and pancakes on his breath.

Death Stranding creator Hideo Kojima thinks Joker: Folie à Deux is an underappreciated gem and will age like a fine wine.

When one of the gaming industry’s most enigmatic creators, Hideo Kojima, isn’t collecting scans of celebrities like Pokémon, he occasionally takes a break from developing strange and innovative interactive experiences by watching a movie. As it turns out, the creator of Metal Gear and Death Stranding has something in common with Quentin Tarantino. They both think Todd Phillips’ Joker: Folie à Deux is an underrated stroke of genius and should be appreciated as such by fans. Speaking with Variety about the divisive sequel, Hideo Kojima detailed his affinity for aspects of the Joker sequel, saying it explores many moral questions while breaking the mold for good versus evil narratives.

“I watched ‘Joker: Folie à Deux.’ The beginning of the film is an animation sequence, reminiscent of the nostalgic ‘Looney Tunes,’ depicting a story of Joker and Joker’s shadow,” Kojima wrote. “In the trial that follows, the question of his multiple personality is argued from beginning to end. Is the Joker Arthur? Is the Joker another personality (his shadow)? Who exactly is Arthur? This revelation eventually transforms into a meta-perspective. In the previous film, ‘Joker,’ was it really Joker who captivated audiences around the world? Or was it Arthur? This question is constantly raised to Lee and even to the people of Gotham City within the film.”

“We live in an age of mass production of ‘poetic justice’ heroes, a battle between good and evil,” Kojima elaborates. “Lately, many spin-off films with a focus on the villains have been made. Can villains be superheroes too? Is this question posed on the big screen as a DC movie too avant-garde? Was it the Joker that audiences around the world loved? Was it Arthur? This is where the reviews have diverged. Over the next 10 or 20 years, this film’s reputation will likely change along with the permeation of hero movies to come. It may take some time for it to become a true ‘folie à deux.’ But there is no doubt that everyone in the audience loved Joaquin and Gaga in this film.”

Joker: Folie à Deux currently has a 1.8 review score on Google, tabulated from 16510 reviews, and a 32% Rotten score on RottenTomatoes. It will take work if Kojima expects audiences to change their minds on the film. While a section of the Joker fandom says the movie is an underappreciated gem, most viewers remain resentful about the polarizing follow-up to Phillips’ billion-dollar blockbuster. Hideo Kojima has an eye for detail and could see something in the film that others do not. He loves cinema as much as video games and is in the process of adapting Death Stranding into a feature film through A24. Hindsight is valuable, and it’s possible Joker: Folie à Deux‘s wild swings will grow on audiences with time. If movies like Jennifer’s Body, Fight Club, and The Shining can loop back around and arrive at people’s good graces, maybe Joker: Folie à Deux can do the same.

Is Hideo Kojima right about Joker: Folie à Deux? Will the film age like a fine wine? Let us know what you think in the comments section below.

About the Author

Born and raised in New York, then immigrated to Canada, Steve Seigh has been a JoBlo.com editor, columnist, and critic since 2012. He started with Ink & Pixel, a column celebrating the magic and evolution of animation, before launching the companion YouTube series Animation Movies Revisited. He’s also the host of the Talking Comics Podcast, a personality-driven audio show focusing on comic books, film, music, and more. You’ll rarely catch him without headphones on his head and pancakes on his breath.

Director John Michael McDonagh is planning to make a trilogy of Fear Is the Rider thrillers, and star Abbey Lee just got several co-stars

Nearly three years have passed since it was first announced that Abbey Lee (Old) and Christopher Abbott (Possessor) had signed on to star in the Australian Outback thriller Fear Is the Rider, which is coming to us from John Michael McDonagh, the BAFTA-nominated writer/director of the 2011 film The Guard… and while the project has lost Abbott in that time, it’s still alive, and Abbey Lee is still attached to star in it. Deadline reports that Lee has now been joined in the cast by Ben Mendelsohn (Star Wars: Rogue One), Toby Wallace (The Bikeriders), and Eliza Scanlen (Babyteeth). Film Constellation and CAA Media Finance will be seeking distribution deals at this week’s American Film Market.

McDonagh’s plan is to make a trilogy of Fear Is the Rider thrillers – and if you look at the synopses provided, you’ll see that the current version of the film is much different from the one that was announced in early 2022. The film will follow a lone woman, searching for her missing mother, who is pursued into the Australian Outback by a terrifying family of serial killers, with only an ex-con and a young girl willing to help her. When the project was first announced, this was the synopsis: John Shaw, a photojournalist, arrives in Australia trying to recover from his experiences reporting on the Vietnam War. After meeting a young woman in a small-town bar, he decides to detour into the Outback to photograph cave paintings. Out there, under the baking sun, people can die within hours. But the elements are not the most hazardous thing in the bush, and Shaw and his mysterious companion soon find themselves caught up in an unrelenting fight for survival.

The differences in these descriptions aren’t due to the script evolving over the years. It’s because the Fear Is the Rider that was announced in 2022 is now intended to be the second installment in this trilogy and will sport the title Fear Is the Rider: Australia Day. That sequel will be based on a novel written by Wake in Fright author Kenneth Cook, and that’s where the title Fear Is the Rider came from.

The Fear Is the Rider that McDonagh will be making first is actually based on the novel The Hunted by Gabriel Bergmoser – and that book has a sequel called The Inheritance, so I wonder if McDonagh is going to work that one into the trilogy as well. Whatever the case, Fear Is the Rider also stars Daniel Henshall (Mickey 17), Brenton Thwaites (Pirates of the Caribbean: Dead Men Tell No Tales), Thomas Turgoose (This is England), Rhys Wakefield (The Purge), Shane Jacobson (The Bourne Legacy), Susie Porter (Gold), and Jacqui Purvis (Home and Away). Deadline adds that the project is meant to be “a nod to the gore-drenched Ozploitation slashers of the 1970s.” Which sounds great to me.

As for the follow-up, Fear Is the Rider: Australia Day, that was said to be a “chase thriller” that’s like “Duel meets Picnic at Hanging Rock.“

The first Fear Is the Rider is being produced by McDonagh and Elizabeth Eves for House of Un-American Activities, Trevor Matthews and Nick Gordon for Brookstreet Pictures, and Kate Glover. Filming is expected to begin in Australia in early 2025.

What do you think of the Fear Is the Rider trilogy plans? Do these stories sound interesting to you? Let us know by leaving a comment below.

Jenna Ortega and Barry Keoghan are joining The Weeknd for the unique, musically-charged suspense thriller Hurry Up Tomorrow

Here’s something a little different. Today, Lionsgate announced that it landed the worldwide theatrical rights to the suspense thriller Hurry Up Tomorrow, the first feature film from Grammy-winning artist The Weeknd (Abel Tesfaye). The feature-length project serves as an extension of The Weeknd’s upcoming album of the same title. Hurry Up Tomorrow is the film’s score, orchestrated by The Weeknd and Daniel Lopatin. Tesfaye won’t approach this ambitious project alone. Trey Edward Shults directs Hurry Up Tomorrow from his script, with Jenna Ortega (Wednesday, X, Beetlejuice Beetlejuice) and Barry Keoghan (Saltburn, The Killing of a Sacred Deer, Eternals) leading the film.

Expressing his enthusiasm for the film, Adam Fogelson of Lionsgate said, “Abel is a visionary whose art cannot be confined by any single medium. With Hurry Up Tomorrow, in partnership with Trey, his musical universe expands onto the big screen with a psychological thriller that will usher in a new cinematic experience for fans. We are thrilled to be bringing it to audiences worldwide.”

According to Lionsgate, Hurry Up Tomorrow is “the culmination of his trilogy of studio albums, following the blockbuster hits Dawn FM (2022) and After Hours (2020). This third album represents the creative apex of the project, serving as the final chapter crafted with existential and self-referential themes and accompanied by visionary teasers that have set fans ablaze with anticipation for this concluding installment.”

Tesfaye’s Manic Phase and Reza Fahim produce, along with the late Kevin Turen and Harrison Kreiss. It is executive produced by Jenna Ortega, Trey Edward Shults, Michael Rapino, Ryan Kroft, Wassim “Sal” Slaiby, and Harrison Huffman.

Earlier this year, multi-hyphenate artist Donald Glover released Bando Stone & The New World, the soundtrack for his sci-fi film of the same name. In the bizarre action film, Glover plays Bando Stone, a famous musician navigating a world empty of people. He meets a woman and her child, and together, they journey through a dystopian, post-apocalyptic world.

The Weeknd is, without question, one of the biggest names in the entertainment industry. You can’t surf the Fortnite shop without seeing his skin pack every few weeks, and he gave society one of its best memes/gifs, thanks to his Super Bowl performance. Oh, yeah, and he’s sold over 75 million records, including seven diamond-certified #1 singles and the world’s biggest-selling record of all time. Not too shabby.

Would you believe I’ve never heard his music until today? I’m listening to Dawn FM right now, and it’s groovy AF. Are you intrigued by The Weeknd’s Hurry Up Tomorrow? Let us know in the comments section below.