Mission: Impossible – Dead Reckoning Part One will have no shortage of thrilling and practical action set-pieces, especially with daredevil Tom Cruise working his butt off to make sure audiences are entertained. The movie legend continues to deliver his amazing brand of stuntwork as the latest entry in the spy espionage series features the actor atop a bi-plane, hanging from a dangling train, making a cliff jump off of a motorcycle and doing his signature sprinting. The new featurette released by Paramount takes you behind the scenes of another sequence in which Tom and his co-star Hayley Atwell are being chased through Rome while handcuffed.
In the video, Tom Cruise, Hayley Atwell and Christopher McQuarrie speak about the filming of a scene in which Ethan Hunt and a new character named Grace are being chased through the busy, cobbled streets of Rome as they’re pursued by the mysterious Paris, played by Pom Klementieff, known for Guardians of the Galaxy. The catch here is Ethan and Grace find themselves running from this assassin while handcuffed to each other. This makes it a challenge for Ethan as the position they settle into has him driving one-handed. And damn if Tom Cruise didn’t actually learn to drift in a speeding car with one hand.
The official synopsis reads, “In Mission: Impossible – Dead Reckoning Part One, Ethan Hunt (Tom Cruise) and his IMF team embark on their most dangerous mission yet: To track down a terrifying new weapon that threatens all of humanity before it falls into the wrong hands. With control of the future and the fate of the world at stake, and dark forces from Ethan’s past closing in, a deadly race around the globe begins. Confronted by a mysterious, all-powerful enemy, Ethan is forced to consider that nothing can matter more than his mission – not even the lives of those he cares about most.”
Paramount has also released two specialty posters — one for Dolby and one for IMAX formats. The series has made great use of the IMAX screen expansion to enhance the scope of the action in an effort to immerse the audience into the film. Additionally, Christopher McQuarrie also champions the Dolby format, saying, “I’m devoted to a fully immersive big screen experience and no big screen experience is complete without the extraordinary detail, depth, power and presence of Dolby Vision and Dolby Atmos.”
Samuel L. Jackson’s return to the MCU as Nick Fury is more espionage thriller than super-heroics.
PLOT: Set in the present-day MCU, Nick Fury learns of a clandestine invasion of Earth by a faction of shapeshifting Skrulls. Fury joins his allies, including Everett Ross, Maria Hill, and the Skrull Talos, who has made a life for himself on Earth. Together they race against time to thwart an imminent Skrull invasion and save humanity.
REVIEW: Phase Five of the Marvel Cinematic Universe has gotten off to a rocky start. While the box office results for Ant-Man and the Wasp: Quantumania and Guardians of the Galaxy Vol. 3 have been good, the critical acclaim that Marvel Studios has become synonymous with has lost some of its luster in the eyes of many fans. The first Disney+ series of the current phase of the MCU brings back many characters and plot elements from the films leading up to Avengers: Endgame and attempts to set the stage for a new wave of heroes and villains. It all comes under the leadership of Samuel L. Jackson as Nick Fury in a six-episode limited series. Having seen the first two chapters, Secret Invasion is definitely closer in tone to Captain America: The Winter Soldier and works as an espionage thriller more than a large-scale blockbuster action movie.
Secret Invasion is a direct continuation of plot elements from Captain Marvel and reintroduces us to Talos, the Skrull leader played by Ben Mendelsohn. While only the first two episodes of Secret Invasion were made available for this review, there is a definite distinction between this series and anything else we have seen in the MCU. I have said that often in my reviews of Marvel Studios projects, but Secret Invasion really is not a superhero project in the sense we have become accustomed to. There is a much more mature angle to the storytelling, focusing on the human characters we have seen over the last fifteen years. Aside from the Skrulls, there is no superhero on screen in these opening chapters, as even Don Cheadle’s appearance is without his War Machine armor. There are references to Carol Danvers, The Avengers, and other MCU characters. Still, this tale is truly about Nick Fury’s relationship with the Skrull people after the end of Captain Marvel.
The series quickly explains that after the Skrull people failed to find a new homeworld, there was a schism between those who followed Talos and those who follow Gravik (Kingsley Ben-Adir). Gravik wants to infiltrate Earth and take it over for the Skrulls. When Fury learns of this from Talos and Maria Hill (Cobie Smulders), he returns to Earth after spending the majority of the post-Blip years aboard the S.W.O.R.D. space station, S.A.B.E.R. Talos informs Fury that he needs his friend’s help to stop Gravik and rescue his daughter, Gi’ah (Emilia Clarke) who has sided with Gravik. Fury enlists the few remaining friends, including British MI6 agent Sonya Falsworth (Olivia Colman), to convince the world that the Skrull rebellion is among them. What follows over the opening episodes is a lot of detective work and some chase scenes through Moscow that lead to events that could bring the planet to the edge of World War III. Without spoiling any of the plot details in these episodes, I can say that I was left with some theories as to where this series is headed. They include a major adversary connected to the Skrulls from the pages of Marvel Comics.
While we have seen Samuel L. Jackson as Nick Fury many times before, this character iteration is much different than the last time we saw him. Fury has been changed by the events of Thanos’ snap and his time with the Skrull people, which we see in de-aged flashbacks set in the late 1990s. This new Fury is not as buttoned up as before, and his age is beginning to show. Jackson is in more of these two episodes than most of his total MCU screen time. The legendary actor does not disappoint, spouting some memorable lines that will become instant quotes after this series debuts. Ben Mendelsohn is also quite good, getting to explore more of who Talos is than he did in Captain Marvel. Olivia Colman is spectacular as the brutally efficient Falsworth, while Emilia Clarke is far different than I expected her to be. Gi’ah is a grittier character than Clarke has played in her career and works well opposite Kingsley Ben-Adir. Gravik is a menacing and dangerous character and Kingsley Ben-Adir makes him a solid antagonist with a bone to pick with Nick Fury. While we do see appearances from Martin Freeman as Everett Ross and Don Cheadle as Rhodey, their inclusion is minor compared to the rest of the cast.
With all six episodes directed by veteran television, documentary, and commercial filmmaker Ali Selim, Secret Invasion has a different feel from other MCU productions. While The Falcon and the Winter Soldier series carried a similar visual palette as this, Secret Invasion‘s story feels more immediate and less cinematic. There are a couple of bigger set-pieces in the first episodes that would have fit into a big-screen MCU endeavor, but overall most of this story is in backrooms and interiors, lending it a more confined feel akin to Selim’s inspiration, The Third Man and FX series The Americans. Series creator Kyle Bradstreet (Mr. Robot) worked with a small writing team that includes Brian Tucker and Roxanne Paredes, who lay on the spy and Western inspiration delicately while making this feel like a natural extension of the MCU. There are some substantial teases hidden in the opening episodes that tease a fairly super Skrull reveal coming before the end of this show that I expect will excite some hardcore Marvel fans (Hint: See what I did there?)
With a weekly episode drop, Secret Invasion will frustrate viewers who will only be watching one hour at a time. The first episode ends with a big moment for the MCU, and the second will keep fans of Nick Fury waiting for a week to find out more. But, narratively, neither episode really stands out as a solid viewing experience on its own. With Kevin Feige and the creative teams on these Disney+ series often comparing them to extended feature films, the episodes I have seen feel like part of a movie rather than self-contained episodes. I will have a better impression of Secret Invasion in a month and a half once I have seen the entire tale from beginning to end, but there is enough here to keep me intrigued to see where this is going. Hopefully, Secret Invasion will be a turning point for the Marvel Cinematic Universe as these opening episodes are more mature and well-structured than many of their films and series in recent years.
Fangoria got the exclusive first look at a teaser trailer for the upcoming H.P. Lovecraft adaptation Suitable Flesh, which is coming our way from the team of director Joe Lynch (Wrong Turn 2,Mayhem), screenwriter Dennis Paoli – who has contributed to the screenplays for some of the most popular H.P. Lovecraft adaptations ever made; Re-Animator, From Beyond, Castle Freak, Dagon, Masters of Horror: Dreams in the Witch-House – and producer Barbara Crampton (who was in Re-Animator, From Beyond, and Castle Freak)… and that teaser trailer can now be seen in the embed above!
Suitable Flesh just had its world premiere at the Tribeca Film Festival last weekend.
Described as an “erotic body-swapping horror”, this adaptation of The Thing on the Doorstep stars Heather Graham (Boogie Nights) and Judah Lewis (The Babysitter). Graham plays psychiatrist Elizabeth Derby, who becomes obsessed with helping a young patient suffering extreme personality disorder. But her desire to help leads her into dark occult danger as she tries to escape a horrific fate.
Bruce Davison (X-Men), Johnathon Schaech (That Thing You Do!), and Graham Skipper (The Mind’s Eye) are also in the cast.
Crampton produced the film alongside Bob Portal, Inderpal Singh, and Joe Wicker for Amp, in association with Eyevox Entertainment. Brian Yuzna, who produced Re-Animator, From Beyond, and Dagon (and directed the Re-Animator sequels) is on board as executive producer, as are Eyevox’s Rick Moore, Amp’s James Norrir and Nina Kolokouri, and Lynch. Amp is handling worldwide sales – and Crampton is the Vice President of Production and Development at Amp.
RLJE Films will be giving Suitable Flesh a theatrical, VOD, and digital release later this year, and then that will be followed by a streaming release on the Shudder service.
Paoli and Crampton worked with director Stuart Gordon on the Lovecraft adaptations mentioned above. Gordon passed away in 2020, and it’s really nice to see his collaborators continuing to dig into Lovecraft and honoring his memory. I’m hyped for Suitable Flesh and can’t wait to check it out.
Are you interested in Suitable Flesh? What did you think of the teaser trailer? Let us know by leaving a comment below.
Relations between Christopher Nolan and his former studio home, Warner Bros, might be thawing, with the new studio heads wanting him back.
While one might assume there’s bad blood between Warner Bros execs and Christopher Nolan following the auteur’s much-publicized exit from the studio, the new creative team at the studio says that just isn’t so. According to a new piece in Variety, studio bosses Michael De Luca and Pam Abdy want Nolan back – pronto. “We’re hoping to get Nolan back…I think there’s a world,” said De Luca.
Nolan, a few years ago, infamously slammed WB for sending their theatrical releases day and date to Max (then called HBO Max), saying previously, “Some of our industry’s biggest filmmakers and most important movie stars went to bed the night before thinking they were working for the greatest movie studio and woke up to find out they were working for the worst streaming service.”
Nolan took his latest project, Oppenheimer, to Universal Pictures, and many figured the decision to go up against WB’s Barbie was a kind of mutual middle finger between the two titans. Not so, says the studio, with him doing Oppenheimer post-production on the WB lot and recently getting a rich royalty check for Tenet which, despite coming out at the worst point of the pandemic, still grossed over $365 million worldwide.
Elsewhere in the piece, creatives such as Todd Phillips, who made all of his films since The Hangover for the studio, say the studio is the best place for filmmakers. Everyone criticizes the move to go day-and-date on Max, but the policy has been rolled back under the new heads of the studio, with Phillips stating, “…in recent years, the studio kind of lost its way. To me, Mike and Pam are a sign to everyone that Warner Bros. is back on track. They have a deep respect for what we do.”
2023 is proving to be a banner year for the studio, with The Flash, Blue Beetle, Aquaman and the Lost Kingdom, the musical version of The Color Purple, Barbie and Dune: Part 2 all set to hit theatres by the year’s end.
A trailer has been released for the Australian slasher Bad Girl Boogey, which is set to receive a U.S. release in July
A couple months ago, we learned that Dark Star Pictures has picked up the North American distribution rights to the Australian slasher movie Bad Girl Boogey – and at the time, we heard the film would be receiving a VOD, digital, and physical media release on July 4th. But the release strategy is actually a bit more spaced out than that. Dark Star will be giving Bad Girl Boogey a digital release on July 4th, then the film will reach select theatres on July 7th, and the DVD release is scheduled for July 11th. With those dates less than a month away, a trailer for the film has arrived online, and you can check it out in the embed above.
The second film from writer/director/producer Alice Maio Mackay (the first was the 2021 vampire movie So Vam), Bad Girl Boogey centers on Angel, whose mother was brutally murdered one Halloween night, when blood was shed by a deranged killer wearing a parasitic mask cursed with black magic and bigotry. Sixteen years later, when Angel’s best friend is slaughtered by a killer with the same mask, they must overcome their personal struggles, fight their fear, and find the masked killer before he, or it, slaughters everyone they hold dear. Mackay wrote the screenplay with Ben Pahl Robinson.
The Wrap described Bad Girl Boogey as a “queer horror film” and noted that it features a cast of queer and trans actors. Among the cast members are Lisa Fanto, Iris Mcerlean, Chris Asimos, Toshiro Glenn, Lewi Dawson, and Kate Bonney. Genre icon Bill Moseley (The Texas Chainsaw Massacre 2, The Devil’s Rejects, etc.) has a voiceover cameo.
Mackay had this to say about the distribution deal: “I am thrilled to be unleashing my sophomore feature Bad Girl Boogey with Dark Star Pictures for its North American release. I can’t wait for it to connect with its audience of horror-loving queer misfits who I hope will have as much fun watching it as we had putting it together.“
Dark Star President Michael Repsch added: “Bad Girl Boogey is a shock to the system. Writer and director Alice Maio Mackay has masterfully crafted an exciting, visceral slasher film with an important message of identity and bigotry. Her vision is one that will make audiences think, while soaking them in blood and terror.“
What did you think of the Bad Girl Boogey trailer? Will you be watching this movie next month? Let us know by leaving a comment below.
Fright Rags has made a board game inspired by the 1981 slasher Halloween II, and they’re accepting orders through a Kickstarter campaign
About six months ago, we heard that Fright Rags was working on a board game based on the 1981 slasher Halloween II (watch that HERE) as part of their “Stop the Killer” series of games. Now they’re running a Kickstarter campaign that serves as a way to order a copy of the Halloween II board game! The price of one game (with Kickstarter-exclusive expansion packs) is $59, but there are also tiers that allow you to buy two or three copies of the game. The estimated time of delivery is December 2023.
Games in the Stop the Killer series are created with the following mandates in mind: The game had to be inspired by the movie. It had be FUN to play! The game could be played with multiple players as well as solo. Playing the game had to be EASY… NO complicated instructions. Although the game should be easy to play, it should be CHALLENGING. NO SCORING! Who likes to keep track of scores during a game? The game had to have UNPREDICTABLE outcomes and be DIFFERENT every time.
While previous games in the series have been played with a 30 card deck, the Halloween II board game has a 40 card deck. Fright Rags has said that the way these decks are used during game play is SO IMPORTANT, and it ensures the each game’s result is different and unpredictable. We also wanted players to think of their favorite scenes in the movie while playing, so the cards are filled with the film imagery that fans love. Remember all of those 2-hour blocks sitting around the Monopoly board during your childhood? You won’t experience that with our board game! During testing, some games lasted 7 minutes, while others lasted 20 or 30 minutes, and the cards have a huge impact on this! We designed the gaming experience so that you can play a few games back-to-back without taking up too much time.
The Halloween II board game will allow fans to play as multiple different characters from the film, including Dr. Loomis, Nurse Karen, Jimmy, Mrs. Elrod, Mrs. Alves, and Sheriff Brackett. Laurie Strode is included in an expansion pack. The board has two sides – one where Michael Myers stalks, and the other where he kills. And there are three different levels of difficulty.
Here’s the set-up: Michael Myers has just been shot six times by Dr. Loomis and is on his way to Haddonfield Memorial Hospital to kill Laurie Strode! Your only goal is to stop Michael from reaching the hospital. Sounds simple… but it’s not easy!
For the full details, click over to Kickstarter… and if it all looks and sounds good to you, go ahead and secure your copy!
Fright Rags got their “Stop the Killer” series of board games started with a board game inspired by the 1984 killer Santa classic Silent Night, Deadly Night (watch it HERE). That was followed by a board game inspired by another classic slasher, the 1981 film My Bloody Valentine (watch it HERE). After Halloween II, they’re already planning to make a fourth game in the series.
Are you interested in the Halloween II board game? Have you played the Silent Night, Deadly Night and/or My BloodyValentine games? Let us know by leaving a comment below.
Dr. Farzaneh of True Care Cosmetic Surgery Center Presents Exclusive In-Office Thermage Event with Celebrity Guests and Charity Raffle Supporting Miracles for Kids. Hosted by Bravo's The Real Housewives of Orange County Alumni Peggy Tanous, Lynne Curtin & Taylor Armstrong
IRVINE, Calif., June 17, 2023 (Newswire.com)
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True Care Cosmetic Surgery Center, a leading provider of innovative cosmetic treatments, is proud to announce an extraordinary in-office partnership with Thermage taking place this June at their Irvine practice, hosted by the esteemed Chief Cosmetic Surgeon and Medical Director, Dr. Babka Farzaneh, alongside the warm welcome of Practice Owner Cathleen Farzaneh. This event holds special significance as it is being hosted by Bravo's The Real Housewives of Orange County alumni Peggy Tanous @OCPeggyTanous and Lynne Curtin, along with celebrity guest Taylor Armstrong @TaylorArmstrong from this season's Housewives of OC, all valued clients of Dr. Farzaneh and True Care Cosmetic Surgery and Medical Spa.
The highlight of the event is the charity raffle, aimed at supporting Miracles for Kids, which directly benefits the families of critically ill children. All proceeds from the raffle will be dedicated to this noble cause. Dr. Farzaneh and his wife Cathleen Farzaneh express their excitement in supporting this remarkable charity and its profound impact on the lives of children and families in need.
True Care Cosmetic Surgery Center, recognized as a top provider in the United States, has performed thousands of Thermage treatments and attracts clients from around the world due to their professionally trained staff and exceptional techniques. Solta Medical, the company behind Thermage, will be present to answer any questions and provide insights.
Dr. Babka Farzaneh will be available for consultations, emphasizing True Care's commitment to patient satisfaction and delivering true results.
During the Open House, local OC Real Estate Agent Elva Page will serve as a model, receiving a full face and neck treatment. Onlookers will have the opportunity to witness firsthand the procedure and its impressive effects.
"We are thrilled to host this exclusive in-office Thermage event with the support of our esteemed guests and in aid of Miracles for Kids," said Dr. Babka Farzaneh. "Through our commitment to exceptional care and the latest advancements in cosmetic treatments, we aim to make a positive impact on the lives of families facing significant challenges."
Discover the benefits of Thermage, raise funds for Miracles for Kids, and experience firsthand the commitment to patient satisfaction and true results.
Contact Information:
Gemma Touchstone
Business Development Director [email protected]
949.981.8994
A trailer for the horror film Cobweb (starring Lizzy Caplan, directed by Samuel Bodin, produced by Seth Rogen) is now online
Four and a half years ago, Lionsgate – a studio that had once been a prominent force in the horror genre, with releases like The Devil’s Rejects, Cabin Fever, the Hostel films, and of course the Saw franchise – announced that they were developing a genre project called Cobweb with the intention of taking back their “ownership” of horror. We’ll have the chance to see just how impressive and unnerving the movie turned out to be when Cobweb receives a theatrical release on July 21st… and with that date just one month away, a trailer for the film has arrived online. You can watch it in the embed above.
Directed by Samuel Bodin, who created Netflix’s short-lived French horror series Marianne, from a screenplay by Chris Thomas Devlin (Leatherface), Cobweb has the following synopsis: Eight-year-old Peter is plagued by a mysterious, constant tap, tap from inside his bedroom wall – a tapping that his parents insist is all in his imagination. As Peter’s fear intensifies, he believes that his parents could be hiding a terrible, dangerous secret and questions their trust. And for a child, what could be more frightening than that?
We previously saw a synopsis that said a boy’s abusive parents have always told him the voices he hears in the walls of his house are only in his head. But when he discovers that they’re real, he conspires to let them out.
The film stars Lizzy Caplan (Fatal Attraction),
Antony Starr (The Boys), Cleopatra Coleman (Infinity Pool), and Woody Norman (C’mon C’mon).
Cobweb was produced by Point Grey’s Seth Rogen, Evan Goldberg, and James Weaver, along with Vertigo Entertainment’s Roy Lee. Vertigo’s Andrew Childs serves as executive producer with Jonathan McCoy and Josh Fagen, who oversaw the project for Point Grey. Jim Miller and Meredith Wieck oversaw the project for Lionsgate. Rogen isn’t an obvious producer for an intense horror project, but we’re also living in a world where Kevin Smith made a horror movie about a man being surgically turned into a walrus and where Danny McBride has co-written three Halloween sequels.
Cobweb looks pretty good to me. What did you think of the trailer? Do you think Lionsgate’s attempt to take back ownership of the horror genre looks like a success? Let us know by leaving a comment below.
Footage from the Chicken Run sequel Chicken Run: Dawn of the Nugget was screened at the Annecy International Film Festival.
Coming along twenty-three years after the release of the original Chicken Run, the sequel Chicken Run: Dawn of the Nugget will be released through the Netflix streaming service on December 15th – and even though that date is still six months away, Aardman Animations founder Peter Lord, producer Layla Herbert, and director Sam Fell shared some footage from the film at the Annecy International Film Festival.
As described by Deadline, the footage shown featured the utopian island chicken haven – described by Fell as a sort of “Chicken Wakanda” – created by heroine Ginger after she led the breakout from the Tweedy farm in late 1940s Britain (in the first movie). It’s now the early ’60s and Ginger is the mother with Rocky of rebellious teenager Molly. Ginger in the meantime has buried her rebel side, devoting herself instead to keeping the peace in her island idyll. The arrival of the fortress-like Happy Land factory farm on the other side of the water will force Ginger to embrace her adventurous side once again.
Herbert described Ginger as “a reluctant hero. She’s a bit like Ripley in Alien. She is traumatized by what she has lived through. She doesn’t want to go back.“
The voice cast of Chicken Run: Dawn of the Nugget includes Thandiwe Newton as Ginger, Zachary Levi as Rocky Rhodes, Bella Ramsey as Molly, Romesh Ranganathan as Nick, Daniel Mays as Fetcher, David Bradley as Fowler, Jane Horrocks as Babs, Imelda Staunton as Bunty, Lynn Ferguson as Mac, Josie Sedgwick-Davies as Frizzle, and Nick Mohammed as Dr. Fry.
Lord said that he and Aardman co-founder Nick Park had discussed various ideas for a sequel to Chicken Run (which was described as “The Great Escape with chickens”) over the years, but finally found the idea for Chicken Run: Dawn of the Nugget during a brainstorming session with the original film’s writer Karey Kirkpatrick. Here’s how: “We came up with the idea that if in the original they were breaking out, this time they would be breaking in.“
Fell was intimidated by the popularity of the original film, but was drawn to the sequel by the strength of the characters. He said Chicken Run: Dawn of the Nugget moves the story “into the ’60s and an era of industrial farming. We imagined this factory farm will be making nuggets, not just any old nuggets, the world’s first nugget. You can imagine that the recipe for the first nugget would be a highly guarded secret. It would be top security. We took that and kept pushing it and exaggerated this factory farm so it had a Bond villain’s layout with ridiculous security. It gave us kind of a genre to work in. We got into this notion of it being a Bond movie with chickens.“
Are you looking forward to Chicken Run: Dawn of the Nugget? Does the idea of “a Bond movie with chickens” sound interesting to you? Let us know by leaving a comment below.
After winning an Oscar for Pinocchio, Guillermo del Toro is ready to make the full transition to animation.
Although he’s a lifelong lover of animation – particularly of the stop-motion variety – Guillermo del Toro has only made one fully animated feature film: Pinocchio. With widespread acclaim and even the Oscar for Best Animated Feature, Pinocchio marked a significant turning point in del Toro’s career…so much so that he’s ready to ditch live action altogether.
Speaking with The Hollywood Reporter, Guillermo del Toro outlined his objective of shifting solely to animation. “There are a couple more live-action movies I want to do but not many…After that, I only want to do animation. That’s the plan.” He added, “Animation to me is the purest form of art, and it’s been kidnapped by a bunch of hoodlums. We have to rescue it. [And] I think that we can Trojan-horse a lot of good sh*t into the animation world.” Although computer-generated, he particularly cited Across the Spider-Verse, The Super Mario Bros. Movie and Teenage Mutant Ninja Turtles as watershed movies for the future of animation.
At the same time, Guillermo del Toro also expressed a sort of disdain for what animation has become, saying the way characters move and talk makes them look like they’re in a sitcom. This is something del Toro wants to put an end to, saying there is a need to have the field and reality cross over. “We’re all f*cked up. That’s what I want to see animated. I would love to see real life in animation. I actually think it’s urgent. think it’s urgent to see real life in animation…I believe you can make an adult fantasy drama with stop-motion and move people emotionally…I think stop-motion can be intravenous, it can go straight to your emotions in a way that no other medium can.” This is all in line with previous comments del Toro made on how animation should be perceived as a medium and not a genre.
But before he makes the full transition to animation, Guillermo del Toro has a few other projects in the pipeline–including, uh, an animated adaptation of The Buried Giant for Netflix. But come on, Guillermo, you’ll at least give us The Haunted Mansion, right?!
Do you support Guillermo del Toro’s interest in exclusively making animated films? What do you want to see him do before he makes the official move? Give us your thoughts below!
